“So, I ask you, Reader, how do we write and read together with humility, keeping the specificty of relations in mind? How do we recognize that our writing and reading come out of different places, connections, obligations, and even different worldviews, and still write and read together?”
Max Liboiron, Pollution Is Colonialism
General Submission Guidelines
Refractions welcomes a variety of submission forms. Article submissions will make a scholarly intervention within the broad field of postcolonial cultural studies and will take the form of a conference paper or traditional academic essay. Notes from the Field and Practice-Based Studies do not necessarily adhere to the conventions of traditional scholarship, but expand scholarly dialogue through particular attention to practice and method. Activist accounts, artistic reflections, and meditations (creative and scholarly) on ongoing work, participation, and process, are encouraged here. Perspective pieces are shorter and more focussed than a traditional academic essay, and may not subscribe to the conventions of an “academic intervention” or have a fully developed thesis. These pieces exercise critique through a close reading of a passage, a moment, an art object, or a piece of media. Finally, we publish reviews of literature and media pertaining to postcolonial cultural studies, as well as interviews with scholars, artists, and activists in the field. We welcome review and interview proposals, and have a running list of books and media we are seeking reviews on (see bottom of page).
Please send all drafts to editors@refractionsajournalofpostcolonialculturalcriticism.com. Please specify the category of submission in your email.
In order to be considered, submissions must align with the specific requirements outlined below:
Articles (2,000-6,000 words)
Article must include an abstract (no more than 200 words) and five keywords.
The word limit for for article is inclusive of works cited, notes, abstract, and keywords.
Notes from the Field & Practice-Based Studies (1,000-3,500 words)
Images must be embedded in the text in their correct location, with their correct accompanying captions.
Authors must have the rights to publish all included media (images, sounds etc).
Embedded media artworks for submission may include (but are not limited to) media installation, video/sound art, virtual/mixed reality projects, mobile media art, digital art, hybrid media, interactive projects, among others.
Perspective Pieces (1,000-2,000)
Authors must have the rights to publish all included media (images, sounds etc).
Reviews & Interviews (Book reviews 1,000-1,500 words; Interviews max. 3,000).
Interviews must include a biography of the interviewee.
Book Reviews should include a heading featuring your name, title of the book review, publication information (book author(s)/editor(s), book title, city/cities, publisher, ISBN number, and price for cloth/hardback, ISBN number and price).
We are open to any review submissions pertaining to the broad field of postcolonial cultural studies. We are also actively seeking book reviews on the following titles:
Rehearsals for Living, Robyn Maynard and Leanne Betasamosake Simpson (2022)
Pollution is Colonialism, Max Liboiron (2021)
Home Rule: National Sovereignty and the Separation of Natives and Migrants, Nandita Rani Sharma (2020)
Histories of Dirt: Media and Urban Life in Colonial and Postcolonial Lagos, Stephanie Newell (2019)
Coral Empire: Underwater Oceans, Colonial Tropics, Visual Modernity, Ann Elias (2019)
Unruly Visions: The Aesthetic Practices of Queer Diaspora, Gayatri Gopinath (2018)